The first set from Panasonic's new plasma range sets out to convince that it can compete with the latest LCD stars
With LCD TVs getting better and more popular almost by the
week, the first of Panasonic's new (13th!) generation of plasma TVs, the
TX-P50G20, arrives with a real weight of responsibility on its shoulders.
It's just as well, then, that the TX-P50G20 employs one of
the brand's high-spec 'NeoPDP' plasma panels. Especially so, as Panasonic claims
numerous improvements to NeoPDP since its debut last year, including a new
filter, a new discharge gas, improved phosphors, and even a redesigned cell
structure.
There's also been an incremental improvement to the video
processing engine at the TX-P50G20's heart, in the shape of Vreal Pro 5. This
engine sits alongside Panasonic's established 600Hz Sub-Field Drive, where the
brand's Intelligent Frame Creation system inserts 12 extra 'sub-fields' for
every real 50Hz image frame to create up to 600 sub-fields per second. It
doesn't physically refresh 600 times a second, however.
Other promising features include an improved high contrast
filter for reducing light reflections (and thus boosting contrast), improving
colour purity and enhancing outline sharpness; a claimed 5,000,000:1 contrast
ratio that more than doubles the figure quoted for last year's G10 series; and
THX endorsement, complete with a THX picture preset.
As expected from a reasonably high-spec Panasonic TV, the
TX-P50G20 carries a Freesat HD satellite tuner. But it also sports a Freeview HD
tuner, to handle the new breed of hi-def broadcasts.
Connection happy
The TX-P50G20 has plenty of connections to explore, most
notably four HDMI inputs, a LAN port, a D-Sub PC jack, two USB inputs and an SD
card slot. The LAN port lets you access content on a PC, go online with
Panasonic's VieraCast service, or, eventually, enjoy Freesat interactive
services like the BBC's iPlayer.
VieraCast remains similar to last year's offering, with
YouTube, Eurosport, Bloomberg, DailyMotion and Picasa its biggest attractions.
Other goodies, including Skype functionality and AceTrax video streaming, will
come later in the year. If the idea of hard-wiring the TX-P50G20 into your
network doesn't appeal, you can go Wi-Fi via an optional USB dongle.
The SD/USB slots will play a wide variety of multimedia files
formats, including JPEG stills, AVCHD/DivX/ MPEG2 video, and MP3/AAC audio. Plus
– get this! – the TXP50G20 lets you record TV to an external HDD. These
recordings have notable strengths and weaknesses.
On the plus side, the TV records direct digital broadcast
streams, so recordings can be either HD or standard-def, and lose nothing in
quality. You can also set the HDD to buffer video, for 'rewinding' live TV.
On the downside, you can't record to memory sticks; you need
an HDD with a capacity of between 160GB and 2TB. You also can't record from the
analogue tuner, or any external inputs.
Finally, because of DRM concerns you have to register your
HDD to your TV, with your recordings only playing on the TV the HDD is
registered to. Grrr. Please note, too, that the HDD has to be formatted before
the TV can use it, so you can't share the HDD with other PC content.
In fact, apparently the only hard drive Panasonic has
formally tested with its TVs is the Buffalo JustStore Desktop HD-EU2-UK series.
One of which I duly had to buy. I'm not suggesting that only new Buffalo HDDs
will work with the TX-P50G20, but, well, I suspect Panasonic's customer helpline
should expect quite a few calls...
Taking on all comers
So, do the TX-P50G20's pictures throw down the gauntlet to
this year's upcoming LCD upstarts? Actually, yes. For starters, notoriously
tricky colours like rich reds, greens and skin tones look both more vibrant and
more natural than they did on all but the most flagship (V10, Z1) models from
Panasonic's 2009 range.
Even better, this crucial improvement applies equally to
standard-and hi-def sources, with much less of a discrepancy between the colour
tones of the two resolutions than I saw last year. I'm also impressed by the
leap Panny has delivered with the TX-P50G20's standard-def images.
The Resolution Enhancer circuitry really does sharpen things
up, and, provided you avoid its max setting, it does so without generating
distracting video noise. Now, some of last year's Panasonic plasmas showed
troubling greyness over dark picture areas, but on the TX-P50G20, blacks really
do look magnificently black – especially as the screen is startlingly good at
soaking up ambient reflections.
Furthermore, because plasma is a pixel emissive technology,
its deep blacks don't come at the expense of overall brightness, and accordingly
contain lots of shadow detail. Following on from this, I was also struck by the
extra intensity and dynamism of the TX-P50G20's portrayal of dark scenes versus
last year's equivalent models.
The screen's motion handling also improves on most previous
Panasonic PDPs, as the Intelligent Frame Creation processing delivers enhanced
fluidity without generating as many unwanted side effects. Even with IFC turned
off the image seems less prone to judder.
Panasonic's talent for reproducing fine HD detail with its
plasmas is again in evidence. In fact, the superior motion handling means that,
overall, its HD pictures – including those from the HD tuners – actually look
even sharper than they did on the brand's '09 screens.
With the TX-P50G20's pictures also shaming the LCD fraternity
by retaining colour and contrast from wide viewing angles, I can only manage to
rustle up a couple of small negatives about this 50in TV.
First, there's very occasional subtle fizzing noise over skin
tones during rapid camera pans, especially with standard-definition material.
Second, there's a little pixel instability with certain colour tones – but this
is only noticeable if you sit far too close to the screen.
Nor is the TX-P50G20's audio as stellar as its pictures.
There's no great bass or treble extension, leaving the action sounding rather
condensed in an overcrowded mid-range. The soundstage isn't very wide, either.
But at least the speakers never distort, and the audio is rarely harsh or
tiring.
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